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PASSING THROUGH MOVING IN AND GETTING AWAY WITH IT: GORDON MATTA-CLARK NEW YORK CITY GRAFFITI PHOTOGRAPHS, 1972–73 / Gordon Matta-Clark [SECOND PRINTING]
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PASSING THROUGH MOVING IN AND GETTING AWAY WITH IT: GORDON MATTA-CLARK NEW YORK CITY GRAFFITI PHOTOGRAPHS, 1972–73 / Gordon Matta-Clark [SECOND PRINTING]Gordon Matta Clark 197219731,500 Antonio Sergio BessaJonathan Lethem From 1972 to 1973, Gordon Matta Clark took over fifteen hundred photographs of graffiti in New York City. These pictures are some of the earliest documentation of an emerging art form, and are an under recognized body of work from Matta Clarkan artist who used the citys crumbling infrastructure to reveal the social and political implications of architecture and urban design. This
作者の監督作品は、その野心的な世界観の創造と不条理な人間関係への探求心が高く評価されており、現代映画界において最も独創的、個性的な監督の一人として地位を確立している。本書では、最新作『憐れみの3章』の撮影現場で撮られた写真を通じて卓越した視覚言語を駆使した新たな物語を紡ぎ出しており、それはニューオーリンズの実際の撮影場所と映画という異世界の間に存在する曖昧な空間を描いている。
Published by The Eriskay Connection
exhibiting
To create ‘Dictionary’
Trine Søndergaard
Ignasi Monreal
chic fashion and bare skin
Esther Leslie
each passing the baton onto a self-chosen neighbor
damaged during transport
It is equally exciting—or unexciting—everywhere
年吉聡太
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